13th international AHRA conference
November 17–19, 2016
KTH School of Architecture Osquars Backe 5
KTH (Royal Institute of Technology)
Convenors: Hélène Frichot, Catharina Gabrielsson, Helena Mattsson, Karin Reisinger, Meike Schalk
STYLES curated by Mariana Alves Silva, Katarina Bonnevier, Thérèse Krtistiansson, Ullis Ohlgren
The 2016 AHRA conference will address connections between architecture and feminisms with an emphasis on plural expressions of feminist identity and non-identity.
From radical feminist, to lesbian feminist, to black feminist, to post-colonial feminist, to crip feminist, to queer feminist, to trans feminist, to Sara Ahmed’s feminist killjoy, to feminist men, to posthuman feminist, to the liberal and neoliberal feminist, to material feminist, to marxist feminist, to eco feminist, to Roxane Gay’s popular Bad Feminist and many others, even to post feminist voices, the claim to feminism continues to be tested and contested. And this conference will be no exception.
Between architecture and feminisms our specific focus will be upon transversal relations across ecologies, economies and technologies. Specifically, we are concerned with the exploration of ecologies of practice, the drawing out of alternative economies, and experimentation with mixed technologies, from craft to advanced computational technologies.We situate this call amidst what has come to be known as the Anthropocene, a controversial term that calls for the recognition of the formation of a geologic age in which global environmental conditions have been radically altered by accelerating processes of human driven industrialization. Architecture has fully participated in these processes, and we believe that an exploration of feminist, critical, and radical epistemologies and ontologies, methodologies and pedagogies in architecture – especially in light of the rise of artistic, design or practice-based research – might enable us to shift the values and habits that produce our near exhausted existential territories. Amidst what can be deemed a generalized, world-wide depletion of our material resources, social relations, and environments, we invite researchers and practitioners to explore how critical concepts and feminist design tools might offer radical and experimental approaches to creating more sustainable and resilient mental, social and environmental ecologies. We propose to open a space in which to exchange and collectivise current research on critical, radical and feminist approaches to architecture that can be applied by all to the relay between architectural discourse and practice. Although we acknowledge the historical and contemporary need for separatist spaces, we do not intend to create exclusionary places and practices, but to experiment with ways of ethically coping in a world that is becoming increasingly unstable and contested.
Our call appropriates Isabelle Stenger’s cosmopolitics, wherein she outlines an ecology of practices as a form of ethical experimentation in the sciences, which we suggest can also be applied to architecture. We also draw our theoretical framework from Félix Guattari’s three ecologies: mental, social, and environmental, and their necessarily transversal relations. More generally we call for a thoroughgoing reengagement in histories and futures of feminist critical and radical practices toward reimagining our precarious environment-worlds.
We invite participants to draw inspiration from the active archives of their feminist and radically engaged precursors, existing, and reimagined, whose diverse projects, manifestos, and concepts can be reinvented in opposition to arguments that declare the approach of the end-times.
AHRA 2016 Scientific Committee: Karan August, Brady Burroughs, Julie Dwyer, Katja Grillner, Ulrika Gunnarsson-Östling, Daniel Koch, Elke Krasny, Mary McLeod, Jonathan Metzger, Ruth Morrow, Christina Pech, Mary Pepchinski, Jane Rendell, Helen Runting, Kim Trogal, Josefin Wangel, MYCKET (Katarina Bonnevier, Thérèse Kristiansson and Mariana Alvès)
The AHRA 2016 international conference is funded by a Swedish Research Council FORMAS grant http://www.formas.se/en/
We want to thank the following people for their generous support:
Petra Dahlström, Head of Administration KTH School of Architecture (KTHA); Per Fransson, ProPrefekt KTHA; Dr Daniel Koch, KTHA Researcher, Flora Bahram, KTHA Administration; Julio Carbrera Arias, KTHA building manager
DOCH (School of Dance and Circus) & STYLES:Ingela Stefaniak, Per Hedengren, Fredric Gies, Anna Efraimsson, Frida Sandström, Annie Jonasson, Robert Mattias Karlsson/Saboteur Management Booking
STYLES stylistas: Malin Kent, Anna Märta Danielsson, Gloria Hao, Cassandra Lorca Macchiavelli, Vilde Stampe, Magdalena Marano, Moa Sjöstedt, Patriez van der Wens, Marie Carlsson, Susanne Mobacker (Whakapapa), Brita Lindvall Leitman (Bastion), Sanna Ohlgren
AHRA Room Hosts: Lisa-Maria Enzenhofer, Pernilla Hagbert, Malin Heyman,
Elahe Karimnia, Janek Ozim,
Helen Runting, Bettina Schwalm, Erik Sigge, Vasily Sitnikov, Hannes Frykholm, Helena Westerlind, Maria Ärlemö
AHRA Volunteers: Zurya Alnaami, Jihyun An, Samu Balogh, Anastasia Bos, Hazal Dilli, Louise Forsvik, Yuri Impens, Hanna Ivansson, Elin Karlsson, Eljesa Kasa, David Reppen, Carlos Ruiz-Alejos, Shaghayesh Tavakoli, Sanda Tcacencu, Cajsa Winge, Ipek Yargic, Hanna Järbel, Amalia Engström
Critical Studies Architecture and Gender Students involved in the AHRA conference: Layal Al Haddad, Johanna Amren, Emilie Aspenström, Marie Ekblad, David Hagberg, Mattias Hagegård, Akane Imai, Gabriella Jakobsson, Lisa Christin Jonas, Patrycja Komada, Jessika Mulraney, Banah Rashid, Lucia Schreiber, Selina Sigg, Hanna Skog, Sofie Tidstrand, Sophie WehtjeAnd great thanks to the DOME OF VISIONS: Björn Norberg and Charlotte Saltskog!
Graphic design: Sara Kaaman